San San San
Installation, for SanSanSan Music Bar.
Type
Installation
Date
August, 2024
Site
Han Zone, Wuhan, CHINA.
Majoring Part
Concept, Installation Design, and Modeling.
This project involved the design of pre-launch performance installations for San San San, a rising music label in Wuhan. The concept is rooted in the foundational numeral “three,” with “San·San·San” revered as a chant of distinction. In the multiverse, the number three holds unique significance, symbolizing sacred wholeness, completeness, and perfection, expressed as Omne Trium Perfectum: three is entirety. The interplay of three vertical lines, three horizontal strokes, and the tension among them creates a distinctive balance. Three dimensions, three sound waves, and three states collide and merge within the field of “San·San·San,” with musical notes traversing three levels to create a singular sensory experience.
In this project, I am mainly responsible for parts of creative ideas, installation design and modeling.
Three distinct spatial installation experiences were designed for the venue: the central installation, “A Singularity Exploding into Three Dimensions,” an interactive multimedia screen, “The Tri-Phase Array Matrix Display,” and the bar area with a signature bar counter, “The Triple-Element Mixed Bar.” These heterogeneous spatial scenarios transform an ordinary bar into an extraordinary performance venue, evoking the atmosphere of a surreal, modern art space.
Up and down, left and right, forward and backward, light radiates into three dimensions. A singularity was created in the venue to traverse three temporal moments—past, present, and future. Here, the singularity becomes a point where the extraordinary explodes, giving rise to both stillness and rebirth. Three states converge into a singularity, and a single explosion gives birth to a three-dimensional space.
